Tell me the dream about two kinds of decay
you leading me
through tall stalks of language,
the density of a memoir,
each word pretending to be a smokestack
or a lamp, whispering, “dead, dead,
dead,” each word repeating.
One professes not to know its gender.
One becomes a makeshift laboratory.
One is a picture of water running out.
Every other one is in enormous pain
because the army is filled
with little boys.
At the curtain: I am ready to accept the mouth of
another customer, diddling his shape
that grows impossibly against a model universe.
At the curtain: I am ready for a complex series of dots
and dashes, pleasing back and forth
the bare sound of naked
feet on canvas.
For the censure of the last two scenes
I cross half the distance of the remaining stage
and without turning your head from
the audience
you speak.